Review

“Here we have the most visually believable Aida in memory…Her riveting performance in the Title role of Aida was proclaimed an emotional vocal performance that connected viscerally with the audiences as did her electrifying acting, from desperation to courageous resolve."

 

Nabucco
San Francisco Classical Voice
By Janos Gereben, Oc tober 22, 2019

"This balance also figured prominently in the singing: beyond Song's power and high notes in portraying the evil Abigaille (an anti-hero presaging Verdi's Lady Macbeth), her most remarkable performance came with her quiet, sorrowful final aria, "Su me ... morente ... esanime" ("Me ... dying ... lifeless")."

https://www.sfcv.org/reviews/claude-heater-foundation/nabucco-in-the-temple-conquers-babylonians-and-opera-fans

Tristan und Isolde
Vienna Opera Blog
By Oliver Mcdonald

"(Juyeon Song) who is rapidly becoming 'the' Isolde of today. She sings with great, emotional sensitivity and sincerity throughout, and not just for Liebestod, when I could have sold a hundred packet of tissues"

https://www.viennaoperablog.com/post/a-night-to-remember-tristan-und-isolde-in-luslawice-poland-august-31-2019

tristan und Isolde
San Francisco Classical Voice

Janos Gereben

"above all, singing Isolde, which she did with unflagging energy throughout the incredibly demanding vocal marathon."

https://www.sfcv.org/reviews/claude-heater-foundation/operatic-startup-delights-with-a-splendid-tristan



Tristan und Isolde
San Francisco Chronicle

Joshua Kosman

"Song’s Isolde was marked by capacious vocal power and expressive intimacy, especially during the extended love duet of Act 2."

" soprano Juyeon Song and tenor Roy Cornelius Smith blazing forth in the title roles, this was an entirely unexpected delight."

https://datebook.sfchronicle.com/music/out-of-nowhere-an-excellent-tristan-pops-up-in-san-francisco


Tianus Zeitung, Germany

"Man fragte sich nur, wo diese zierliche Sängerin die Kraft hernahm, bei den Fortissimo-Stellen 
mit ihrer Stimme noch durchzudringen.”
(You just wonder where this petite singer created the strength to get through with her voice even
at the fortissimo sites..)
"Den Abschluss des Konzerts bildete Isoldes Liebestod Mild und leise, wie er lächelt von Richard Wagner. Juyeon Song interpretierte noch einmal mit aller Intensität."

Rai TV - Stabat Mater

“impeccabile l'esecuzione della solista Juyeon Song” (Flawless execution of the soloist Juyeon Song)
in their National News Broadcasting.

Korean Entertainment Newspaper

"This performance should signal the birth of the next great star" 
by stage director Yuval Sharon from Aida, Berkeley Opera.

The Opera House Gazetteer

“…A rising Korean star named Juyeon Song…Art is eternal and I find it exciting to ponder what new soprano star is about to rise and become the next legend. This is a very beautiful version of the Liebestod and the voice of a new part of the world which is making Western classical music its own!”

Independant Newspaper California

“Here we have the most visually believable Aida in memory…Her riveting performance in the Title role of Aida was proclaimed an emotional vocal performance that connected viscerally with the audiences as did her electrifying acting, from desperation to

S.A. SAO  Independent

“Song as Madama Butterfly radiates more like a ray of sun than a Butterfly….““Song transmutates into pure personification of her name; adeptly nailing each of her musical lines with sensitivity to the dynamics of the orchestra”

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