Review

 

San Francisco Classical Voice

Tristan und Isolde Concert Review, August 26, 2018

Janos Gereben

"above all, singing Isolde, which she did with unflagging energy throughout the incredibly demanding vocal marathon."

https://www.sfcv.org/reviews/claude-heater-foundation/operatic-startup-delights-with-a-splendid-tristan



San Francisco Chronicle

Tristan und Isolde Concert Review, August 26, 2018

Joshua Kosman

"Song’s Isolde was marked by capacious vocal power and expressive intimacy, especially during the extended love duet of Act 2."

" soprano Juyeon Song and tenor Roy Cornelius Smith blazing forth in the title roles, this was an entirely unexpected delight."

https://datebook.sfchronicle.com/music/out-of-nowhere-an-excellent-tristan-pops-up-in-san-francisco


Tianus Zeitung, Germany

Germany

"Man fragte sich nur, wo diese zierliche Sängerin die Kraft hernahm, bei den Fortissimo-Stellen 
mit ihrer Stimme noch durchzudringen.”
(You just wonder where this petite singer created the strength to get through with her voice even
at the fortissimo sites..)
"Den Abschluss des Konzerts bildete Isoldes Liebestod Mild und leise, wie er lächelt von Richard Wagner. Juyeon Song interpretierte noch einmal mit aller Intensität."

Rai TV

 Italy

“impeccabile l'esecuzione della solista Juyeon Song” (Flawless execution of the soloist Juyeon Song)
in their National News Broadcasting.

Korean Entertainment Newspaper

San Francisco

"This performance should signal the birth of the next great star" 
by stage director Yuval Sharon from Aida, Berkeley Opera.

The Opera House Gazetteer

Opera Blog

“…A rising Korean star named Juyeon Song…Art is eternal and I find it exciting to ponder what new soprano star is about to rise and become the next legend. This is a very beautiful version of the Liebestod and the voice of a new part of the world which is making Western classical music its own!”

Independant Newspaper California

By Susan Steinberg

“Here we have the most visually believable Aida in memory…Her riveting performance in the Title role of Aida was proclaimed an emotional vocal performance that connected viscerally with the audiences as did her electrifying acting, from desperation to

S.A. SAO  Independent

Albuquerque, New Mexico

“Song as Madama Butterfly radiates more like a ray of sun than a Butterfly….““Song transmutates into pure personification of her name; adeptly nailing each of her musical lines with sensitivity to the dynamics of the orchestra”

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